Potassium dichromate solution Essay Example for Free

Potassium dichromate solution Essay1. Deep colour of potassium permanganate solution will show out two meniscuses just now according to burette using, we are try to measure the volume by different. Therefore if we technically use the same meniscuses in the all reading, it will be fine for the experiment. 2. Store the dilute hydrogen peroxide in a cool, dry and well-ventilated area. Also put it in a steel or candy and opaque container. On the other hand, keep away from heat, flame and light. ConclusionIn titration I, we standardize the iron(II) solution is 0. 10M with N-phenylanthranilic acid indicator and Barium diphenylamine sulphonate indicator. In titration II, we located the potassium permanganate solution is 0. 02M. In titration III, we estimated the dilute hydrogen peroxide is 0. 038g and we found out the molarity of it is 0. 045M. And for the original hydrogen peroxides percentage is 7. 67%(w/v) and volume tightfistedness is 25. 27 volume.Titration III Estimation of t he concentration of hydrogen peroxide solution Titrant (in burette) Potassium Permanganate Solution Titrate (in conic flask) 25. 0cm3 of Hydrogen Peroxide Solution power used Potassium Permanganate Solution Colour of indicator changed from Colourless to Pink Titration II Determination of the potassium permanganate solution Titrant (in burette) Potassium Permanganate Solution Titrate (in Conical flask) 25. 0cm3 of Fe2+ Solution Indicator used Potassium Permanganate Solution Colour of indicator changed from Green to Pink

J.J Thomson Essay Example for Free

J.J Thomson EssayJ also had a brother that was two years younger than him-self named, Frederick Vernon Thompson. He went to private schools in the beginning of his education career, where he showed a great interest and passion for science, and when was 14 years old when he was accepted in to Owens College. His mother and don originally wanted him to study to be an engineer and get an apprentice for a local locomotive manufacturer, but due to his fathers devastation in 1873 his plans changed. He moved away from Owens College, and into Trinity College in Cambridge, where he then obtained his BA in mathematics in 1880. He conjoin 1 of his students, Rose Elizabeth Paget, and they had one son and one daughter. J. J Thompson died still working on the college campus on August 30th, 1940 from unspecified causes at the age of 83. He married one of his students, Rose Elizabeth Paget, and they had one son and one daughter. J. J Thomson was without a doubt religious.He was a devout Angli can Episcopalian who regularly attend services at the Angelican church, and also went to Sunday evening college chapel services. I believe, that the best statement that I found, about the religious practices of Mr. Thomson was from one of his students, Sir Owen Richardson who said He was sincerely religious, a churchman with a dislike for Anglo-Catholicism, a regular communicant, who every day knelt in private prayer, a habit known scarce to Lady Thomson until near the end of his life. Further research shows that J. J Thompson never missed a day of prayer(as quoted above) and that every day before going to sleep, he would read his bible.Some of J. Js speeches, and addresses also show that he was a devout believer in God, show in what he say in his inaugural presidential address into the British association, As we conquer peak after peak we see in front of us regions expert of interest and beauty, but we do not see ur goal, we do not see the horizon in the distance tower still hi gher peaks, which result yield to those who ascend them still wider prospects, and deepen the feeling, the truth of which is emphasized by every advance in science, that Great are the Works of the Lord. Here we all the way see, that he doesnt take credit for his accomplishments, he gives the credit to the Lord.

The Slave Trade: British Industrial Revolution

The Slave Trade British Industrial RevolutionThe debate over whether due west African knuckle down handicraft rendered the British industrial revolution or not has gone on for quite some time and will celebrate to do so for many more years. Research has been done, claims have been made, and there be arguments benefitting both sides of the debate. West African buckle down craft did, in fact, fuel the British industrial revolution and this can be found by researching the profits made by slave avocation practices, the growth of two study British banks as the result of the profits, the growth of the transport industry, the increase in overseas business, and the support of the British people.The profits made by slave trade practices have been disputed by many historians with the argument that they have been grossly overstated. However, Barbara Solow, as cited by William Darity, Jr., uses the following quote to say just the opposite If slave trade profits were eight pct of inve stment in Britain in 1770, is that small when today total corporate profits amount to forty percent? No industry manages as much as eight percent. Solows quote was made in 1980, so with the knowledge that no single industry was equal to(p) to produce revenue of eight percent then, when industry was continuing to grow, it can be safely inferred that west African slave trade did provide of import profits that were used to promote the industrial revolution.Not only were the profits made by African slave trading large, but they were frequently invested into banks and textile factories, both of which were a huge part of the industrial revolution. Two of Britains largest and most successful banks, Barclays and Lloyds, each received a large amount of slave trade profits throughout the eighteenth century. Both of these banks, among others in Liverpool and Manchester, became very important to the industrial revolution as they were able to provide credit to new British industries as they w ere getting started. Although it is impossible to say that Britains industrial revolution would never have interpreted shopping centre if it had not been boosted by the profits provided by slave trade, it is easy to believe that it would have been postponed for a lengthy amount of time.The banking industry was not the only one that was launched during the time of slave trade. The transportation industry withal grew. The growth of the transportation industry is quite easy to see in eighteenth century Britain because in order to go through the motions of triangular trade it was necessary for British crewmen to have access to ships. As more and more ships were built and then bought for use in triangular trade, it made it possible for the transportation industry to grow and, in turn, provide more capital for Britain and its growing industries, along with employment opportunities for British men.Although slave trade played a opposite role in eighteenth century Britain, there were othe r things taking place that had a significant impact on society. Triangular trade, taking place between Britain, Africa, and North America, also played a part in Britains industrial revolution. According to David Richardson, the official value of British exports rose almost sixer fold over the century while imports increased over fivefold. An increase that large in the value of British exports results in another set of spectacular profits being made, and many of the products that were exported could be tied directly back to the manual labor of west Africans purchased during the slave trade. Had the slave trade not taken place, Britains exports, imports, and trade in general would not have had the opportunity to grow as it did.Finally, the slave trade had the support of the British people. In 1788, Parliament held hearings on the slave trade practices and sought information to determine whether or not it should be abolished. Various people either testified or wrote letters to convey their feelings just virtually the slave trade, and many convey the view that abolishing slave trade would be detrimental to the health of Britains growing industries and society. James Penny wrote such a letter, and expressed his opinion by saying, Should this trade be abolished, it would not only affect the Commercial Interest, but also the Landed Property of the County of Lancaster, and more particularly the town of Liverpool, whose fall, in that case, would be as rapid as its Rise has been outstanding. A second letter read, The effects of this trade to Great Britain are beneficial to an unnumerable extent and there is hardly any Branch of Commerce in which this nation is concerned that does not derive some advantage from it. As these are real quotes from British citizens during the time of the slave trade, it becomes obvious that the men working in the newly industrialized version of Britain felt that the countrys industrial success came about because of the slave trade.As mentioned earlier, the debate over whether the slave trade truly fueled Britains industrial revolution is not new. However, there is significant evidence pointing to west African slave trade having a profound effect on British industrialization, and this evidence can be seen in the profits made by slave trade practices, the growth of British banks as the result of the profits, the growth of the transportation industry, the increase in overseas trade, and the overall support of slave trade by the British people.

The Depiction Of Amores Perros Film Studies Essay

The Depiction Of Amores Perros Film Studies EssayDuring the twentieth century, Mexico was experiencing an era of economic dissymmetry and an obvious di good deal of social classes. In Amores Perros Irritu, the director brilliantly portrays the distinction in the separation of the classes, and the effect of the economy on companionship. In Amores Perros, Daniel, Octavio, Susana, and El Chivo represent the three social classes in Mexico, the rich, the poor, and extreme want. Octavio and Susana clearly represent the lower class. Irritu emphasizes the lack of comfort and space through the characters dialogue and setting. by chance the timing of release was precise, (Mexico was weeks international from its presidential elections that broke the 70 year term of cardinal-class ruling), but Amores Perros (Gonzalez-Irritu, 2001) a ground-breaking Mexi john film under new Latin American Cinema made record-high box office success in spite of appearance its very first hardly a(prenominal) weeks of showing. Its sheer braveness and boldness at showing naturalism of conduct in the city table serviced to shock and reveal to millions of masses how modern-day life was in the one of the busiest energy hotspots of the World of a world feature with positive and negative energy, that lead people to the brink of despair.The metropolis is presented as exclusively Mexican, yet one that is not dissimilar from former(a) cities in Latin America, whereby violence, self-interest and lust argon omnipresent and whereby, as much as they are fundamental to ones survival, are excessively the very reason for ones downf on the whole. Iarritus recitation of the DF (Mexico metropolis) is a reflection of society that lives in constant fear, under great pressure, and in complete turmoil, liter all(prenominal)y and psychologically. He has produced an intimate social study of the people that make up and shape the city into what it is to this day. Without exaggerating the lack of law and or der, he demonstrates that for the majority of its city-dwellers, the underworld is the only option if one is to survive. The director hooks us into the diegetic world of the film by condensing into three interconnected stories the images of the general pain of daily life as well as the social, political, and economic hereditary pattern of todays alienated youth and the elders who have prepared this crushing scenario for them.1Iarritu decided to reveal the more sinister side of what it is desire to be living in the DF, and offered the viewer a subtle criticism of the Mexican political situation that feeds the rich and abandons the poor.In certain aspects his interpretation of the city differs from the way cities are shown in other Latin American and Hollywood films. His DF is as real as real gets you win some and you lose some, but that is simply the way life goes.An ideal comparison is that with the 2000 Hollywood film by Steven Soldbergh, Traffic, which also combines three distin ct stories into one, whereby one of the plots is set in Mexico. Interestingly, the director chose to utilise a hold camera for the Mexican scenes only. The Mexican story appears grainy, rough, and hot to go with the rugged Mexican landscape and congested cities (1b). Shot through a sepia lens, it gives Mexico City a feel of a sleepy, developing-world frontier city, as opposed to Iarritus interpretation of a cutting-edge modern metropolis. Soldbergh contrasted the sepia-tinged Mexico with a dour tinged USA,, whilst Iarritu, on the other hand, used skip bleach and tinged the images with blue. Steven Soderbergh chose Hollywood stars namely Catherine Zeta Jones, Michael Douglas and Benicio Del Toro to play the leading roles which gives an unreal sense to the film, keeping the viewers one step away from reality. It demands the viewer to accept certain ludicrous twists. What further sets it apart from the viewer is that the plot involves high-profile characters such as the CIA, High C ourt American judges, and famous drugs cartels. What sets Amores Perros apart from other films that represent the city is that the characters are real, and based on characters one would meet in the street.Most filmmakers living in Mexico City have off-key a blind eye to its problems or treat them superficially and hence fail to face reality. Iarritu has not. Instead he has chosen to project a broader segment of society by looking at a trilogy of situations and characters interwoven across the class lines and geographies of contemporary urban Mexican society.(2) Gonzalez-Iarritu broke the expectation that umpteen people had with regard to their view of the future of Latin American cinema.As he said himself, I am not a Mexican with a moustache and a sombrero and a bottle of tequila () nor am I a corrupt cop or a drug trafficker. There are millions like me. And this is the world I live in and the one I want to show.(2b)In Amores Perros Iarritu shows the consequences brought on a soci ety from a city that offers zip fastener but a proliferation of social in scantilyice, political corruption and neo-liberal traversema.However, although Iarritu did to some extent take on serious social and philosophical issues, Amores Perros had a wiz objective to entertain. Because the film did not receive any governmental funding, Irritu was able to experiment with the social and cinematographic content.Crime and violence are key themes in the film, yet, unlike Hollywood, these events are not sensationalized but instead are presented rather mundanely. The story of Octavio and Susana is the most emotionally tense up of the three and involves high levels of violence, self-interest and lust. However, all the stories work together, each with its individual tone and rhythm, in order to spend a penny a fuller image of life in the city.Fast editing, such as in the dogfight scenes, forbids the viewer from obtaining a real understanding of what they are seeing, reflecting the confusi on and fast-pace of city life. By overloading the film with scenes of physical titillation he manages to create an intensification of our emotions hence reflecting those of the characters on screen. Violence within the film is rife, when even Ramiro is prepared to gun down his dog, danger is constantly a threat lying just around the corner.The cross-editing that occurs when Ramiro is being beaten up and Octavio is having sex with Susana is full of dark connotations of the violence and the phenomenon of family breakdown in Mexico today. Whilst Octavio may appear innocent and peaceful, he is nonetheless inflicting pain upon his fellow, who in turn will have it thrown back at him when he runs away with Susana with his savings. The violence and so is cyclical. The scenes draw the viewer in with an over-load of violence, blood, skin and sweat, and a soundtrack of Lucha de Gigantes to emotionally move them. Iarritus grainy choice of resolution and skip-bleach, together with hand-held c amera, a blurry vision, artificial lights, and a blue tint, give a sense of film noir, or gangster genre, which reflects perfectly the underworld and under-class that they live in.Violence is not only a result of poverty however, as is seen within the third story, another dress down and Abel-type plot whereby Gustavo Garfias hires a hit-man, El Chivo, to murder his very own brother. A somewhat less tense sequence, El Chivos story reflects that of Octavios in many ways both opening sequence are in a car, and both follow a Cane and Abel theme. This reoccurring family rupture accentuates the affects city life has on its inhabitants and suggests that Mexican society itself is spiralling down into a vortex of violence.The physical and psychological mutilation, amputation, death, bloodshed, and cold-blooded killers-for-hire are not and literal images but metaphors for something even more disturbing that holds society together- our animal nature that we try and domesticate,3 and ironical ly so, it is the human who emerges as the most destructive. This is because they have been envenomed by greed and self-interest, but at the same time have also been made to suffer from the actions of others.The violence presented is on the one hand very believable. Via setting, cinematography, use of unknown actors and even soundtrack, Iarritu has given the viewer a real sense of the violence in Mexico City. The soundtrack is filled with pulsating music, squealing automobile tyres, and alternative whimpering and barking dogs. 3bhouse servant family violence, dog-fighting and shop hold-ups are common in every society, and Ramiros secret criminal hold-ups also seem very realistic, as Iarritu has not glamourized them. On the other hand, one could also argue that El Chivos story is slightly too fabled from the viewers point of view. A regular middle-class man, moody Revolutionary, turned hit-man may be slightly too intangible to believe yet El Chivos methods of killing however, are ver y unglamourized and therefore believable.Gustavos desire to have his brother killed is purely out of self-interest and greed for money, the consequence of a neo-liberalist, capitalist world. Gustavo represents a typical young middle-class man desperately trying to impact his social and economic status, and being consumed by envy and greed, is willing to go to great lengths in order to do this. His weak character contrasts greatly with the large presence of El Chivo who represents the opposite end of the political spectrum, of a schoolteacher turned Revolutionary. El Chivo is the most down-to-earth character in the film, distanced from the ills of society, who has chosen dogs as his sole companions. After all, they obey, they are loyal, and they do not even protest inhumane treatment. They lick the hand of the owner to the very end.4 Dogs contrast hugely with humankind in this sense. This story is an interesting insight into the life of a nobody, of a near invisible, who in fact h as had the most interesting life out of all the characters. His life is not driven by a sense of self-interest, as the only thing he has in his mind is the loss of his daughter, and the money that he acquires from the assassinations he carries out is all for her. He owns no flash belongings, except the watch and ring he found in the dump which he considers treasures.However, at the scene of the crash, he does nothing to help the victims, but steals their money and their dog. He seems to have no patience for human beings, only a great pathos and deep lamb for animals. He laughs when his victims are in the newspapers, but cries when his dogs are killed. This love for his dogs contrasts greatly to the brutality of treatment of the fighter dogs within Octavios story and the dog serves as a link to suggest the world in which he lives, where humans are devoured by self-interest, and where they are made to fight to their deaths. Dogs also serve as a link in which to compare the distincti vely different lives of the social classes so apparent in Mexico and the rest of Latin America. Whereas Chivos dogs are disarmer and rugged, (a direct reflection of their owner,) and Octavios is made to fight, Richie, a spoilt, kemp poodle, reflects his owner, the billboard model Valeria.The majority of the principal characters have obsessive temperaments, which in the end will inevitably lead to disappointment. Octavio has little or no family ties but instead lives in a cocoon of instincts and drives which compel him to pursue his brothers wife, who herself falls victim to her own self-interest and enters an severe sexual relationship with him. Valeria is obsessed with her looks, and Gustavo with his social status. Iarritu has purposely highlighted this human flaw of extreme self-interest and contrasted it with a dogs faithfulness.Valeria, whilst herself the cause of another familys break-up, has her hopes shattered with the break-dance of her modelling career. When before, she would look out of her penthouse window and see herself on the billboard, she now sees it has been taken down only to be replaced with advertisement for new publicity. Her colleague who tells her to blockade the campaign breaks the news with no remorse, and the cycle of self-interest falls back on her. On a film that puts so much importance on every single event running up to the crash, had Daniel never left his wife, then Valeria would never have left the house to buy a agreeable gift, and the crash would never have happened. Had he overcome his feelings of self-interest and lust with regard to Valeria, there would be no tragedy in which to tell the tale.Iarritu shows how in every aspect, and on every level of daily living, self-interest is insidious. It is, again, the presence of three correlating stories that helps to portray how real each characters story is whilst the characters acting is also very believable.Amores Perros oozes lust and it is this sin that causes the destruct ion of the family unit in the case of both Octavio and Daniel. Adultery is a recurring theme in many films, and therefore it does not offer a new vision of life in the city as such, although in a dog-eat-dog world as is that in the DF in Iarritus interpretation, it is not only the good guys who is betrayed. Whilst Ramiro is having illicit sex with the girl from work, little does he know that his very brother is seducing his young wife.The cinematography of the love scene between Octavio and Susana is, as was previously mentioned, sweaty and very passionate, yet it has not been glamourized. They have sex in the laundry room at home, Ramiro with his mistress in the stock cupboard at work, and Luiz Miranda Solares with his woman in a plush motel in the city. This sexual energy so common in Mexican society is psychologically and physically destructive and can only bring about problems. On the other hand, Iarritu suggests that only those who live love intensely can escape the vulgarity o f their casual existence in the city. Therefore no matter which route one takes, they are destined to an unfulfilling existence.It is perhaps because there are multiple human flaws and vices presented in this film that Iarritu does not delve too deeply into the theme of adultery. The pace of the film is too fast and so is that of the city, and the resulting destruction created by adultery plays only a small part in the destruction of Mexico City as a whole.Amores Perros certainly did on the one hand offer a new vision of the city to non-Mexicans. The fact that one of the set designers was foreign herself meant that she had a very rich appreciation of Mexican culture and neither exaggerated nor minimised its presence within every aspect of the film. The city within the film is a purely Mexican phenomenon via even the smallest details, be they mundane cultural activities, style of dress, mode of speaking or behaviour.Amores Perros had no Hollywood influences nor did the Mexican gover nment play any role in the films content. This is key in order to appreciate the balance between message and entertainment value within the film.Perhaps what makes the stories so real is how the director interweaves politics within the everyday lives of the characters, placing their individual despairs within an undeniably political setting, suggesting that there is no escaping from the environment in which one is living in. It is this reality that gives a new vision to life in the city.On the other hand, certain elements within the film do not suggest any new vision of life in the city. The exaggerated circumstances of each character leads the reader to link it with Hollywood films that employ over-dramatized plots, dramatic backing tracks, explosions, and fast editing to name a few stylistic features.Corruption and instability within everyday living are stereotypical of Mexico, and Iarritu has not avoided these stereotypes. However, as they are portrayed within an everyday existe nce, he has avoided branding these as a Mexican phenomenon. Furthermore, it has to be said that a film with no abnormalities would be unsuccessful, for where is the excitement in this? Iarritu has created an raise film offering a new vision of the city based on violence, self-interest, and lust.Word Count 2761Referencesp.86 Throwing governing to the Dogs, by Claudia Schaefer1b. p.87 Throwing Politics to the Dogs by Claudia Schaefer2. p84 Throwing Politics to the Dogs, by Claudia Schaefer2b. www.imdb.com/amoresperrosp.96 Throwing Politics to the Dogs, by Claudia Schaefer3b. p85 Throwing Politics to the Dogs, by Claudia Schaefer4. p96. Throwing Politics to the Dogs, by Claudia Schaefer

Influence Of Female Pop Singers

Influence Of Female Pop SingersFemale the Statesn-based pop-singers have become more public over the years in America. Women in this position can be powerful role-models for the adolescent female population. However, concern has been raised over whether these artists use this cultivate verifyingly or if they have a oppose influence. Although there are a few artists who clearly use their influence in a positive way, the legal age seem to affect girls minusly. Firstly, the life-style of female American pop-singers and the ideas they convey through their melody lyrics reinforce materialism in adolescent girls. Secondly, these artists have a negative influence on the body image of teenage girls. Thirdly female pop-singers from America display self-destructive behaviour and are heavy(a) role-models. Consequently, female American pop-singers have a negative influence on teenage girls.Due to the life-style choices female American pop-stars make and the ideas they stock in their pains lyrics, female pop-singers from America reinforce materialism in teenage girls. Many of these pop-singers clearly express materialistic ideas in their songs. In the song Material Girl, pen by Peter Brown and Robert Rans, Madonna sings Because the boy with the cold hard cash / Is always Mister Right, because we are/ Living in a material creative activity and I am a material girl. The song has been covered by several pop-culture icons like Britney Spears and Hilary Duff, introducing the song to new generations each time. Another example is Nicki Minajs song 1234 And I call Saks Fifth Ave-y home. That is where a real hazardous Barbie roam. By Saks Fifth Ave she means the store Saks, located on Fifth Avenue in New York City. Saks is a store which sells only the most expensive designer clothing. Nicki Minaj declares with these lyrics that girls who want to be cool, who want to be like her, should shop at this bad-tempered store. By expressing this, she encourages materialism. W hat might be even more influential than their song lyrics are the life-style choices female American pop-singers make. Jennifer Lopez wore a 15000 dollar dress to perish years Grammy awards. In 2011, the birthday present Beyonc bought her husband was a Bugatti worth two million dollars. Most of the handbags these women carry with them do not have prices at a lower place 3000 dollars. Teenage girls who look up to these women testament start thinking that being like their idols includes having the same expensive items they have. The combined pressure of what female American pop-singers express in their songs and the life-style choices they make reinforce materialism in teenagers.Female American pop-singers influence the body image of teenage girls in a negative way. Some female pop artists start their career with an average body, but often succumb to the general yellowish pink ideal in the institution of stardom. A fitting example is the story of Demi Lovato, a young woman who st arted her career by singing and acting for Disney. She was often referred to as the fat Disney girl. By outright Demi has admitted she started suffering from Anorexia Nervosa because the pressure of having to be thin became too much for her. Other female American pop-stars who suffered from eating disorders are Alanis Morissette, Britney Spears, Kelly Clarkson and Mariah Carey, and there are many more. each started out with an average body but lost weight until they were more like other celebrities in their environment. Teenage girls idolize these pop-singers and see them as their role-models they will do almost anything to achieve a similar look to their idols. In her M.A. thesis on feminism Jodie Simons wrote This appeal to adolescent girls to conform to strict hegemonic norms of beauty is not simply embodied in the artists appearance but is besides sung about in their songs. An example of such a song is Katy Perrys calcium Gurls. In the music video of this song Katy Perry is e ither naked or she is wearing a miniature bikini. She herself is the ultimate California girl. The appearance of American female pop artists, as well as the message about beauty they convey in their lyrics, is unrealistic and are a negative influence on adolescent women.Female American pop-singers often display self-destructive behaviour and are bad role models because of this. Since they are celebrities, their choices and behaviour are constantly watched by the media. Magazines and television channels rather show bad behaviour than good behaviour because it is more interesting to the public and thus brings in more money. The world of female pop artists is very competitive there is always fresh talent. This competitiveness causes artists to try to stay in the spotlight at any cost. The artists also have more occasions on which they will be inclined to make bad decisions than young adults without these resources or circumstances. Yet, these artists are role-models and should act like they are. Rihanna, like a shot 24, is a perfect example of a bad role model. Rihanna expresses very graphic sexual ideas in some of her songs, which are degrading to women. She also claims in her songs that women should invite men to have sex with them. Rihanna confessed she had a sex-addiction herself. There are several nude photos of her on the internet that are easy to find. In February 2009, Rihanna was brutally beaten by her partner, Chris Brown, a few weeks ago it became official that she is involved with Chris Brown once again. Rihanna gives her younger fans graphic ideas about sexuality, she degrades femininity and she indirectly claims it is forgivable when a woman is beaten by her partner. This year Rihanna was named one of the most influential people in the world by Time Magazine. Being so influential Rihanna is a bad role-model for the millions of adolescent girls who adore her. Another example is Miley Cyrus, a Disney child-star who wanted a more adult image and sta rted dancing with a stripper pole, with barely any clothes on in one of her music videos. This left parents with teenage daughters horrified, since their childs idol had suddenly transformed into a bad role-model. There are certainly female pop artists in America who are decent or good role-models. However, they are overshadowed by a majority of bad role-models. Female pop artists in America are always role-models, but because of the self-destructive choices they make and the bad behaviour they display they become bad role-models.To conclude, the life-style of female pop artists from America and the suggestions in their song lyrics strengthen materialism in young girls. Secondly, female American pop-singers have a negative influence on teenage girls. Thirdly, these pop artists are bad role-models partly because of the self-destructive behaviour they exhibit. Although there are female pop artists in America who do not influence girls in such a way, the extent of their colleagues who do have this negative influence is much greater. In general, female American pop-singers have a negative influence on teenage girls.

Writing an Admissions Essay :: College Admissions Essays

Writing an Admissions EssayThe process of writingand writing admissions essays in finicalinvites a consciously-constructed performance of the self. What I mean by this is that a textany textinevitably conveys some persona and when that text is known as an autobiography or representation of the self, the persona of the text is under even more scrutiny.Andy Warhol, with whom we could never be sure of where the performance ended and where the self started, once said, When I did my self-portrait, I left all the pimples out because you always should. . . . Always omit the blemishestheyre not part of the good picture you want. * This statement has relevancy for any act of self-representation, including admissions essays. Because the essay is an acknowledged representation of the self, the student tries to omit blemishes or whatever material she thinks will make her unattractive to the school. She consciously tries to stray her essay so that it will project the particular kind of persona she thinks the admissions officers want to see. However much they tell you, Just be yourself, thats scarce possible when so much rides on how that self is presented. Even more challenging than the decision of how to frame this self-portrait is the anxiety-producing task of choosing a topic. For example, in a upstart New York Times article, a student lamented the fact that no one had died in her family thus leaving her without anything moving to write about. Admissions essays are an unusual and crotchety exercise, one in which we know the student performs.But the school is performing, too. The University, in particular, is known for its quirky and surprising essay questions. This quirkiness itself is a performance of a kind that seeks to attract a certain type of student, perhaps the creative or quirky.

Computer Simulation :: essays research papers fc

WARSIM 2000 is simulation software, used by the armed forces. Extensive, thorough, and tiring work has been done on thgis program. It covers close to all aspects and situations required for realistic, meticulous and a complete simulation. Information Technology has lead to the advancement of the tools required to build the simulator. Information Technolgys guideleines and technolgy have strengthen this creative simulatorGeneral Description of Operational Capability. WARSIM 2000 leave alone increase the effectiveness of commander and battle staff bringing up by dramatically increasing the naive realism and the scope of the available training environment. In conjunction with other services simulations, WARSIM 2000 will provide a complete functional environment with scenarios drawn from the entire operational continuum to support Army, joint and coalition force training distributed across the globe. a. The WARSIM 2000 simulation system will use a computer-based simulation and ass ociated hardware to support the training of unit commanders and their battle staffs from battalion through theater-level as well as to support training events in educational institutions. Designed and built using mod computer technology, modern software engineering techniques, and validatedalgorithms and databases, it will allow units world-wide to train using their organizational equipment. A key feature of the system will be its use of technology to minimize the total Armys overhead associated with load-bearing(a) training. The system will be designed to meet emerging Distributed Interactive model (DIS) standards and protocols to facilitate linkages with DIS compliant simulators and live training events. b. The WARSIM 2000 simulation system will consist of, or use, several components(1) calculating machine-based battle simulation models that portray the joint and have environment needed to support Army training events. (2) Software modules for linking WARSIM 2000 to other sim ulation models to expand the training environment for joint force training exercises.(3) Databases.(4) Computer systems to run the simulation models and support the databases.(5) Technical control systems/workstations for use by personnel in an exercise support function e.g., simulation controllers, analysts, and opposing/ ring forces role players.(6) Flexible and responsive terrestrial/satellite communications gateways and media for transmitting voice, data, facsimile, and video between different elements at remote locations involved in supporting a training exercise.c. WARSIM 2000 will meet the Mission Need Statements (MNSs) requirement for providing a training environment that will allow unit commanders and battle staffs to tenseness their warfighters and systems in countering threats across the operational continuum. WARSIM 2000 must provide an environment that presents problems to stress and stimulate